“We’re the One!” ABC 1978-79 Season Promo (1978)

This is the climate when I was born.

Skip to the end for the cast of the entire ABC lineup really selling it in a rousing anthem to their network.

via Cynical-C



Grease for Peace

There’s a strong chance you’re young enough that you don’t know who Sha Na Na is. No shame, I’ll tell you - they were a 50s revival doo-wop act that gained popularity in the 70s, predated and even inspired Grease (1978), “Happy Days” and American Graffiti (1973).  They played at Woodstock, for Christ’s sake.  A piece I just read from Columbia College (where the group was born as The Kingsmen), explores a fascinating claim that Sha Na Na redefined the decade of the 50s, one in which the Beats dominated the subcultural landscape, as “The Fifties”, an era which would be quaintly recalled through a series of memory implants set to music and heavily favoring young miscreants called Greasers.

Crazy enough, the word Greasers wasn’t even around when the Greasers were.  In their day, they were known as hoods or J.D.s (juvenile delinquents).  Can you imagine if, in 20 years time, some pop act decided to revive the 20-aughts and singled out one of our prized subcultures—let’s pick the emo kids—and completely fabricated a name for them—let’s say Bangers—and not only did countless movies and TV shows appropriate the name (maybe you see the musical adaptation of the film Bangs (2026) on Broadway, but your own parents fondly remember their days in the aughts as Bangers? That’s some science fiction shit!  Yet it happened to all of us.

My point is this: until I read the piece and revisited video from the wildly popular “Sha Na Na” TV show I now remember absorbing as a kid, I hadn’t realized that so much of my imago, my vision of masculinity, my ideals in style and hair product were defined by the group Sha Na Na.  ”Bowser” in particular (the tall, skinny baritone in all black and high-waters) served as model of dress and demeanor for me.  There was a good year in there it was rare to find me not flexing my muscles and striking a Bowser pose to win over a girl or a teacher.  I bet it still works, even.  Will research and report back.

UPDATE: You bet your sweet ass it does.

via Morning News

I wish they would figure out a way to make these props look less aged. I sometimes feel like these characters are living in a retro museum instead of 1960s New York.

Mark Simonson rips apart meticulous anachronisms he finds in Mad Men.  There’s no pleasing some people.

via Quipsologies

Poets and pals laureate
@fedge, @nevenmrgan and @SeoulBrother last weekend
via my flickr

Poets and pals laureate

@fedge, @nevenmrgan and @SeoulBrother last weekend

via my flickr



glass:

The most exhilarting 2 minutes I’ve experienced online in a while. (thx jpeace)

Agreed.  Like the carousel in Something Wicked This Way Comes, this video made me into a kid for a second.

Don’t do that.
via cleversimon

Don’t do that.

via cleversimon



“And when you hear this music, you WILL dance.” -Count Funkula

If my life has one ambition, it’s to one day sit on the stoop on Sesame Street and play music while kids dance.

Caroll Spinney is Big Bird
From what I gather, Mr. Spinney has spent nearly 40 years with his right arm in the air, operating the mouth and providing a tender voice for everybody’s favorite 6-year-old bird with gigantism.
Last night, I watched this fascinating A&E Classroom on the life and times of Sesame Street.  Highly recommended, for an infusion of preliterate, pre-ironic nostalgia.

Caroll Spinney is Big Bird

From what I gather, Mr. Spinney has spent nearly 40 years with his right arm in the air, operating the mouth and providing a tender voice for everybody’s favorite 6-year-old bird with gigantism.

Last night, I watched this fascinating A&E Classroom on the life and times of Sesame Street.  Highly recommended, for an infusion of preliterate, pre-ironic nostalgia.

Birdhouse — A notepad for Twitter